I think it’s got to be exciting for a lot of these graphics artists, honestly. The fact that people can sell their own art, put their own price on it and watch it get bid on, and things like that, is pretty special. Otherwise, it just looks like people are walking around the forest in California.” Sometimes I’ll get a whole big, big visual package, and a lot of cinematography stuff, and it won’t come back very polished and I’m like, “Oh, dude, we need to add a spaceship in this right now to make it look cool and otherworldly. Robert, in particular, has helped me out of a lot of situations, animating stuff for live shows.
I’ve always had a good relationship with them and it’s just been a long-term natural flow. So the art was inspired by your music, which then re-inspired the art, which re-inspired more music in return?Ĭan you speak on the process of working with Evelyn Abermotion and Robert Kohler to bring these worlds to life? Normally, it’s the other way around-and technically these art pieces were inspired by the music, but different music than what is attached to them currently. Yes! In this case, I didn’t want to just re-release the EPs, so I decided to make some short 30 seconds soundscapes to go with these art pieces. A still from the NFT inspired by Seven Lions’ “Ocean” single.īut we understand that the music accompanying these pieces is unreleased work?
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